Gaily into Ruislip Gardens
Runs the red electric train,
With a thousand Ta's and Pardon's
Daintily alights Elaine;
Hurries down the concrete station
With a frown of concentration,
Out into the outskirt's edges
Where a few surviving hedges
Keep alive our lost Elysium -
rural Middlesex again.
Well cut Windsmoor flapping lightly,
Jacqmar scarf of mauve and green
Hiding hair which, Friday nightly,
Delicately drowns in Drene;
Fair Elaine the bobby-soxer,
Fresh-complexioned with Innoxa,
Gains the garden - father's hobby -
Hangs her Windsmoor in the lobby,
Settles down to sandwich supper
and the television screen.
Gentle Brent, I used to know you
Wandering Wembley-wards at will,
Now what change your waters show you
In the meadowlands you fill!
Recollect the elm-trees misty
And the footpaths climbing twisty
Under cedar-shaded palings,
Low laburnum-leaned-on railings
Out of Northolt on and upward
to the heights of Harrow hill.
Parish of enormous hayfields
Perivale stood all alone,
And from Greenford scent of may fields
Most enticingly was blown
Over market gardens tidy,
Taverns for the bona fide,
Cockney singers, cockney shooters,
Murray Poshes, Lupin Pooters,
Long in Kensal Green and Highgate
silent under soot and stone.
Betjeman contrasts this neat, polite, genteel girl with the louche Edwardians (now gone) who strolled through the fields, now built over. Murray Posh and Lupin Pooter are two dudes from George and Weedon Grossmith's Diary of a Nobody; Kensal Green and Highgate are London cemeteries.
See also Betjeman's poem about Miss J. Hunter Dunn, and Phone for the Fish Knives, Norman.