Thursday, 1 September 2011

Middlesex by John Betjeman


Gaily into Ruislip Gardens

Runs the red electric train,

With a thousand Ta's and Pardon's

Daintily alights Elaine;

Hurries down the concrete station

With a frown of concentration,

Out into the outskirt's edges

Where a few surviving hedges

Keep alive our lost Elysium -
rural Middlesex again.

Well cut Windsmoor flapping lightly,

Jacqmar scarf of mauve and green

Hiding hair which, Friday nightly,

Delicately drowns in Drene;

Fair Elaine the bobby-soxer,

Fresh-complexioned with Innoxa,

Gains the garden - father's hobby -

Hangs her Windsmoor in the lobby,

Settles down to sandwich supper
and the television screen.

Gentle Brent, I used to know you

Wandering Wembley-wards at will,

Now what change your waters show you

In the meadowlands you fill!

Recollect the elm-trees misty

And the footpaths climbing twisty

Under cedar-shaded palings,

Low laburnum-leaned-on railings

Out of Northolt on and upward
to the heights of Harrow hill.

Parish of enormous hayfields

Perivale stood all alone,

And from Greenford scent of may fields

Most enticingly was blown

Over market gardens tidy,

Taverns for the bona fide,

Cockney singers, cockney shooters,

Murray Poshes, Lupin Pooters,

Long in Kensal Green and Highgate
silent under soot and stone.

No lawns, honey, vicars or crumpets. Bejteman is lamenting (in 1954) that Middlesex, once rural or semi-rural, has been suburbanised. Elaine is lower middle-class - she says "Ta!" or "Pardon!" for "Thankyou" and "Excuse me" (nobody does any more). She wears a Windsmoor mackintosh and a lurid Jacqmar scarf, and washes her hair in Drene. (The upper middle classes think they're above brands and brand names and never mention them - or they didn't then.) And yes, women washed their hair only once a week!

Betjeman contrasts this neat, polite, genteel girl with the louche Edwardians (now gone) who strolled through the fields, now built over. Murray Posh and Lupin Pooter are two dudes from George and Weedon Grossmith's Diary of a Nobody; Kensal Green and Highgate are London cemeteries.

See also Betjeman's poem about Miss J. Hunter Dunn, and Phone for the Fish Knives, Norman.

Saturday, 27 August 2011

More John Betjeman

A Subaltern's Love Song
Miss J. Hunter Dunn, Miss J. Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,

What strenuous singles we played after tea,
We in the tournament -- you against me!


Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn.

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,

How mad I am, sad I am, glad that you won,

The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.

Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,

And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.

The scent of the conifers, sound of the bath.
The view from my bedroom of moss-dappled path
As I struggle with double-end evening tie,

For we dance at the Golf Club, my victor and I.


On the floor of her bedroom lie blazer and shorts
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,

On your low-leaded window, Miss Joan Hunter Dunn.


The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.

By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,

Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surrey twilight! importunate band!
Oh strongly adorable tennis-girl's hand!


Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.


And the scent of her wrap, and the words never said,

And the ominous, ominous dancing ahead.

We sat in the car park till twenty to one

And now I'm engaged to Miss Joan Hunter Dunn.

The characters in this poem are middle-middle - not out of the top drawer. A subaltern was a lowly young officer.

In the 20s and 30s, Aldershot was full of new houses built in a self-consciously cottagey, olde-worlde style on sandy soil that was no use for farming. It was popular with army families, who laid out tennis courts and golf courses where there had been heath and woodland - and conifers.

A euonymus is a variegated shrub, and rather suburban - as are summer houses, verandahs and gin-and-lime. Joan's window is "low" and "leaded" in the cottage style, to go with the "oak" stairs. The pictures of Egypt were probably souvenirs of her father's postings abroad.

Joan can only afford a small Hillman car to drive down the wooded roads. Camberley may be built up - but there is enough of nature left to enchant the lovers who are quite happy to miss the dance in the Golf Club.

Betjeman shows us that a minor officer wooing a tennis-playing girl in a banal setting can be as romantic as a troubadour. No mention of lawns, vicars, crumpets or honey.

Betjeman's Phone for the Fish Knives, deconstructed.

Snobbery about Writers


I was collecting some clichés about writers, and realised that a lot of them are about class. So here's What to Say About:

ANNE OF GREEN GABLES "LM Montgomery portrayed rural Prince Edward Island as a folksy paradise where good triumphs and endings are happy, but her own life was far from ideal." (The Green Gables saga has plenty of tragedy, rural life is shown as hard, rural poverty is not romanticized. Maybe the later books are more syrupy.)

BRIDESHEAD REVISITED It’s about flannelled toffs at Oxford. (It's about how aristocratic families damage and neglect their children.)

AGATHA CHRISTIE She was “ladylike”. Her characters are all cardboard cutouts, two-dimensional stereotypes. "The latest biography shows us a fully rounded character." Her greatest mystery was her life. She was a snob who only wrote about aristocrats in country houses. (She wrote about hairdressers holidaying at Le Touquet, and typists chasing spies in Baghdad - among other things.)

GEORGE ORWELL June 09 – a BBC memo has turned up wondering if his voice would do for radio. Cue blethering about how he was an Old Etonian, had a posh accent, didn’t have a posh accent, disguised his posh accent, spoke in Mockney, spoke in “Duke of Windsor cockney”, had a “colonial manner”. We know he went to Eton, served in the Burmese police, was shot in the throat in the Spanish Civil War, admitted to toning down his accent when living as a tramp, had TB and smoked heavily; no recording of his voice survives. (His prose is often condemned as plodding and flat-footed – perhaps because he published a list of instructions on how to write that warn against being flowery.)

JOHN BETJEMAN Old-fashioned, snobbish, obsessed with the upper classes and an England of cricket matches, tea and crumpets, warm beer. (He was a precise observer of class markers and would never sink to cliches about crumpets.) “John Betjeman's soppy idylls about honey on the vicarage lawn.” Stephen Bayley Obs Mar 2 08 A Subaltern’s Love Song is B’s “fantasy idyll”. "Light verse sells. Poetry doesn't have to be miserable, deeply intellectual, tortuously emotional, or clever. But more than that, he provided simple rhymes and rhythms. Betjeman is musical, and easy, and if you'd rather call it verse than poetry, that may say something about your own attitude to taste. When poetry disowns any of the properties of music, it must take care to offer something in its place. So if you want to sell a lot, Betjeman is a good model." (Guardian arts blog - you can rely on the socialist Guardian to be more snobbish than any other broadsheet.)

Easy metre? Simple rhymes? You try writing:
Pam, I adore you, Pam, you great big mountainous sports girl,


Whizzing them over the net, full of the strength of five:
That Old Malvernian brother, you zephyr and khaki shorts girl,

Although he's playing for Woking,

Can't stand up 
To your wonderful backhand drive.

"The image must have helped. He was one of the few poets whose face was known, because of his TV work; he looked like a teddy bear and sounded harmless and eccentric. In addition he was nothing like the stereotype of the drunk hell-raising poet... He seemed cosy; in many ways his poetry was cosy and unthreatening, though not always - he could be acute and painful on death and old age... And of course his poems were accessible, they didn't make people feel stupid and they yielded pleasure in return for very little work on the reader's part. We all like that sort of reading sometimes - maybe not Betjeman, because he's very English middle-class in a way that doesn't travel far outside those parameters, but we all have comfort reading we go back to when we don't specially want our brain stretching." (Guardian arts blog)

Betjeman epitomised everything that was wrong about postwar England - its nostalgia, conservatism, snobbery, provincialism... He is the poetic equivalent of a mediocre Devon cream tea in the rain. All the palaver about him strikes me as being a bunch of people congratulating themselves on being British and middle class. (Guardian arts blog)

Sunday, 21 August 2011

Classy Collecting

A friend writes: "What people like us are meant to say about Antiques Road Show is 'My dere, the greed that people exhibit, the way their eyes light up when they are told what they have got is valuable etc etc.' People like us are still supposed to be connoisseurs and collectors like people with stately homes who went on the Grand Tour."

Uppr-middle-class Sam and grand Caro despise programmes like Bargain Hunt/Flog It/The Antiques Roadshow for the above reasons, also because the people on it are common and collect the wrong kind of things. They talk sneeringly about people selling “pewter tankards” for £30.

Middle-class Jen and Eileen collect Moorcroft pottery, carved Bavarian bears and Copenhagen porcelain. Jen has inherited a set of metal goblets which she uses to serve wine to guests – then she puts them back in their presentation box.

Sam is now into Arts and Crafts – plain wooden furniture from the late 19th century. She has chucked out the Victoriana that used to clutter up her house and went so well with the flowery chintz chair-covers. Rusting advertising signs crow-barred off the side of a rustic shed are sooooo over. As are wash-stand sets (jug and basin).

The very trendy Upwards used to collect Whitefriars and Orefors glass (looks like a half-eaten boiled sweet) – but they cashed in recently and now buy distressed sets of pigeon-holes, metal chairs and school desks with the original authentic dust and ink-stains. Downmarket Mrs Definitely collects Doulton crinoline ladies, Bunnikins china and Swarowski crystal animals. The Queen collects FabergĂ© – little trees and animals made out of semi-precious stones. But she inherited a lot of it and I suppose she feels she can’t put it in the attic.

Why are posh accents described as “cut glass”? Cut glass is faceted like a diamond, and cut with a diamond wheel. If you can’t afford the real thing, you buy a moulded imitation. But when the real thing becomes cheaper and moves downmarket it is shunned by the middle classes. Also it’s too shiny for them. Stow Crats carry on using the cut glass bought by their 18th century ancestors.

Saturday, 30 July 2011

More Classy Quotes

Is your favourite biscuit a pink wafer? Chances are you read The Sun.

 That’s according to a massive survey carried out by Sainsburys, who have analysed the nation’s biscuit-eating habits. The supermarket chain crunched Nectar data from around 12 million shoppers between 4 July 2010 and 2 July 2011, and came up with several crummy conclusions. For example, if you’re a fan of fig rolls, you could be a northerner. The snack is the second-most popular biscuit in both the North East and Yorkshire. Further south however the cookie is king; it’s the second most bought biscuit in East Midlands, East Anglia and London. Jam rings are especially popular outside England, with Scottish, Welsh and Northern Irish shoppers buying them in droves. Enjoy a rich tea? You might hail from the South West, as the snack comes second-place in the area’s biscuit league table. However, number one nation-wide is the humble digestive. UK biscuit lovers can’t get enough of the sweet-meal dunker, which sells 17 million packets a year at Sainsburys. That’s more than 12% of 141m packets flogged by the chain per year. The national top five: Digestives; Cookies; Jam Rings; Chocolate Fingers; Rich Teas. Back to newspapers, and the data shows Daily Mail readers like a nice Garibaldi, while readers of The Independent prefer coconut creams. Guardian readers have more exotic tastes though, such as ginger and chocolate cookies, amaretti, butter thins and almond florentines. Andre Erasmus, editor of Biscuit World (that’s a real magazine, we promise), said: “This little round entity is a strong cultural identity of Britain, and has been around since the 1600s. The digestive biscuit and the rich tea are both considered as a traditional accompaniment to a cuppa, so it's no surprise to see them in the top five favourites. The jam ring in third spot was more of a surprise to us." He concluded: “Well done the biscuit!”. Yahoo News

Harrods dress code: Jewellery One earring per ear. Pearls or diamond studs preferred. One ring per hand with exception of wedding & engagement rings. No visible tattoos, sovereigns, mismatched jewellery, scrunchies, large clips or hoop earrings. Guardian July 2 2011

I am thinking of trying the discount chains Aldi and Lidl for the first time as I am fed up with paying a fortune to feed our family of four. Do readers recommend them?…I tentatively entered a Lidl store about five years ago. The first thing to catch my eye was a panettone for £2.99 – identical to one I’d just paid £6.99 for in our local delicatessen…. It is noticeable in the last two years or so that there are more middle-class shoppers. Suddenly, it has become acceptable to shop at Lidl. Guardian July 2 2011

[American squillionaires’] lifestyles were bordering on the absurd, according to Gladys Montgomery, author of a new book on the great camps aptly entitled An Elegant Wilderness. She notes that at nearby Pine Tree Point, railway pioneer Frederick Vanderbilt hired artisans from Japan to create Japanese-style cabins and made serving maids wear kimonos. Camps commandeered French chefs from New York's best restaurants for the summer. And at Prospect Point, mining magnate Adolph Lewisohn would bring a valet, a stenographer, a chess partner and his own barber for the season. The Observer on the Adirondacks July 2011

And throughout the book there simmers a kind of misanthropy, even snobbery: a contempt for the kind of people, working-class and middle-class alike, that Fabian types have mocked for decades, sneering at their neat suburban homes and modest material ambitions. These are the people who actually enjoy shopping at Westfield, not because they are corporate drones or have been brainwashed or define themselves purely by consumerism but simply because they fancy buying some new clothes or a better television or even the latest book by Iain Sinclair. Dominic Sandbrook in the Financial Times on Iain Sinclair's Ghost Milk July 2011 (The Fabians were a genteel kind of socialist who thought they knew what was best for everybody. Perhaps they're still around.)

More here, and links to the rest.

Friday, 8 July 2011

The Mother-in-law from Hell


We've all heard of her by now. Carolyn Bourne, the dianthus-grower from Dawlish who sent her prospective daughter-in-law a critical email that went viral. Here it is, in case you missed it:

It is high time someone explained to you about good manners. Yours are obvious by their absence and I feel sorry for you.

Unfortunately for Freddie, he has fallen in love with you and Freddie being Freddie, I gather it is not easy to reason with him or yet encourage him to consider how he might be able to help you. It may just be possible to get through to you though. I do hope so.

If you want to be accepted by the wider Bourne family I suggest you take some guidance from experts with utmost haste. There are plenty of finishing schools around. Please, for your own good, for Freddie’s sake and for your future involvement with the Bourne family, do something as soon as possible.

Here are a few examples of your lack of manners:


• When you are a guest in another’s house, you do not declare what you will and will not eat – unless you are positively allergic to something. You do not remark that you do not have enough food. You do not start before everyone else. You do not take additional helpings without being invited to by your host.

• When a guest in another’s house, you do not lie in bed until late morning in households that rise early – you fall in line with house norms.

• You should never ever insult the family you are about to join at any time and most definitely not in public. I gather you passed this off as a joke but the reaction in the pub was one of shock, not laughter.

• You should have hand-written a card to me. You have never written to thank me when you have stayed.

• You regularly draw attention to yourself. Perhaps you should ask yourself why.

• No one gets married in a castle unless they own it. It is brash, celebrity-style behaviour. I understand your parents are unable to contribute very much towards the cost of your wedding. (There is nothing wrong with that except that convention is such that one might presume they would have saved over the years for their daughters’ marriages.) If this is the case, it would be most ladylike and gracious to lower your sights and have a modest wedding as befits both your incomes.


So far, so breathtakingly rude. But what shocks me more is the way some journalists have sided with her. Carrie Quinlan in The Guardian says "God bless you, Carolyn Bourne". India Knight in The Sunday Times joins in, and so does Victoria Summerley in The Independent and Mary Killen in The Daily Telegraph. They were happy, says Tim Black in Spiked.com, to see an adult telling off a graceless youth. And about time too! At least Ms Bourne has proved that class is not dead. One commentator called her "so Dawlish!".

Friday, 1 July 2011

More Quotes About Class

As we left [the natural park created out of old railway land] I congratulated myself for not spending any money. But then I went and completely blew it by visiting the Lewes farmers' market. The excellent ageofuncertainty.blogspot.com.

The hall-mark of so-called “vulgar people” is unrestricted display of uncontrolled emotions. Emily Post

For this is an ineffably British tale [about Twitter and superinjunctions] that draws together several strands of national character into one inescapable cobweb of farcical confusion. Prurience, hypocrisy, low-level public cussedness towards authority and high-handed authority's disdain for the public all have their part to play. So – as far as the clash between the rights to privacy and free speech is concerned – does the failure to decide whether to be prissily private Europeans or let-it-all-hang-out Americans. Also present are British lethargy in adapting to the implications of new technology, and the gift for conflating the utterly banal into a sovereign point of principle. Where else would tweeting about a shagging sportsman be heralded as a show of mass civil disobedience worthy of Gandhi? Matthew Norman in the Independent on the superinjunction kerfuffle, May 25 2011

Of course, this sort of colour is also designed to indicate social class, which, although we British are far too squeamish to say so, still fascinates most of us.” Re the papers quoting murder victim Joanna Yeates parents’ house price, Sally Baker, Feeedback, Times Jan 8 2011

“Britons always get sniffy about other people getting filthy rich, whereas Americans like to see success rewarded.” David Prosser Independent Jan 2011

“A lady never admits her feet hurt.” Lorelei Lee, Gentlemen Prefer Blondes

Ottakar's were generally very astute at picking new sites for the bookshops, but they got it horribly wrong with Crawley. I was surprised, as a quick walk around the town centre would have confirmed that this wasn't bookshop territory - it was as if the middle classes had been ethnically cleansed. ageofuncertainty.blogspot.com

More here, here, here and here.